Friday, May 31, 2019
The Fountainhead Essay -- Biography, Wynand
In spite of Gail Wynands individualism and creative spirit in The Fountainhead, he compromises these values in his work and succumbs to the power of the people, accept this double identity to be his only option in achieving the power he seeks. A simple credo governs Gail Wynands life I Do turn over things around here. Originally a statement affirming his drive to rise above, this assertion quickly becomes a measure of Wynands self-wortha self-worth based merely upon his power over others. His deep respect for the greatness of mankind and the integral dignity of the independent man is made irrelevant in his life by a single, core fallacy the futility and inevitable demise of integrity.On a tenement rooftop at age sixteen, Gail Wynand decides to conquer the city where he does not run things finished the power of the written word (Rand 405). Working diligently and for his own purposes, young Wynand shows promise toward becoming a selfish creator and a example man. Perhaps you could add a bit here to describe what a selfish creator is how that makes a moral man?But with Wynands first self-righteous theme against corruption comes the devastating blow to his belief in honest men. To what does this refer? The true Gail Wynand dies, and the man who takes his place holds an unshakable contempt for integrity and the victimhood it presupposes. In Wynands mind, integrity will only make him a victim to the very forces he swore to conquer. Why? He sees a dichotomy between success and self-respect, and when he forces himself to learn between the man he wants to be and the things he feels he needs to prove These things he needs to proveis this referring to conquering the city? Proving his success to others through powe... ... creates victims yeah, this will be stronger once you go into more detail above about why he came to believe that integrity is impossible/dangerous , Gail Wynand chooses to abandon his, and makes himself a victim anyway. By pandering to the lurid whims of the people, Gail Wynand makes himself a slave, dependent upon public approval and compliance. He never gets what he desires out of the bargain because he is no seven-day capable of desiring anything. Roark and Wynand are very alikeneither one was born to be a second-handerbut one fundamental inverse separates them (663). Wynand lives only for the tick off that others will grant him he lives for everything except his own integrity and chooses not to commit suicide because he can find nothing worth end for. Roark, on the other hand, claims, I could die for you. But I couldnt and wouldnt live for you (608).
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