Architecture and culture in italy Essay Example | Topics and Well Written Essays - 1750 words

Architecture and culture in italy - Essay Example For this reason, even authors such as Ernest Hemingway, notorious for his brevity and deceptively simple-sounding stories, can reveal much about the areas they write about. In the novel Across the River and Into the Trees, written in 1950, Hemingway provides a great deal of detail about Italy both in what he says and in what he doesn't say. The story begins with a morning of duck hunting. The protagonist emerges slowly, simply called the shooter at first. His personality is the first thing that becomes known about him as it is revealed through his words with the boatman, his thoughts and his actions. Although coarse and irritable, he is also gentle in his treatment of others and his appreciation of beauty. This is seen in his irritation with the boatman as they work through the ice of the canal, "Get your back in it, jerk" (3) as compared to his understanding of the same man at the end of the book once the Colonel realizes it was his military jacket that set the man off. Throughout t he novel, most of which is a flashback to the days just prior to the duck hunt, the people of Italy are consistently referred to as polite and more honest than people elsewhere: "It's a tougher town than Cheyenne when you really know it, and everybody is very polite" (35). Yet there are continual hints that things are not quite as idyllic as the Colonel wants to picture it. Such an instance is introduced in scenes such as the one where the Colonel, then a general, knocked two men unconscious for having the impertinence to whistle at Renata at an even earlier time period or the scene in which he finds it necessary to scare two punks away from him by pretending to be carrying pistols in his pockets as he walks around Venice with Renata's family emeralds in his pocket. The Colonel's ability to appreciate the beauty of the landscape around him also helps to reveal the character and geography of Italy. This initial landscape is seen as particularly inhospitable, though, full of icy canal s and tall grasses - giving an impression of a frozen marshland. It is expanded as the Colonel and his driver make their way across country as "one farm blended, almost blurred, into another farm and you could only see what was far ahead and moving toward you" (14) and given texture as the driver starts to talk about the artists of the country, such as Titian: "if he painted any pictures of that country up around there, with those sunset color rocks and the pines and the snow and all the pointed steeples" (15-16). This glimpse of the country is also given a dual nature as the Colonel approaches the city, looking out at the flat canal-lined boulevard that they're following and remembering the ghastly scene of soldiers bodies, bloated and floating on unmoving water in those canals and yet also observing the peaceful, gentle motion of a sail from one of the barges moving slowly through one of those canals. This image of Italy finally opens up into the streets of Venice with the mention of St. Mark Square and the Colonel relives his last day with his girl, a 20-year-old native beauty in a segment that takes up most of the bulk of the book. In this consistent representation of the dual nature of both the people and the place, the book is very much in keeping with the historical era in which it was written. The second World War had just ended in which many of the older men fighting had already seen their share